BEGIN:VCALENDAR VERSION:2.0 PRODID:-//jEvents 2.0 for Joomla//EN CALSCALE:GREGORIAN METHOD:PUBLISH BEGIN:VEVENT UID:24e0173c868a951bee701ce0adc754cc CATEGORIES:Lecture / Reading / Talk CREATED:20240123T162052 SUMMARY:International Relations Committee and Department of Social Sciences LOCATION:APJ001 DESCRIPTION:\n Abstract: Computational museology is a scaffold that unites machine inte lligence with data curation, ontology with visualization, and communities o f publics and practitioners with embodied participation through kinaestheti c interfaces. Computational museology empowers cultural organisations to li nk all forms of culture and materiality: objects, knowledge systems, repres entation and participation. Research at the Laboratory for Experimental Mus eology (eM+) reaches beyond object-oriented curation to blend experimental curatorship with contemporary aesthetics, digital humanism and emerging tec hnologies. This lecture explores key themes including interactive archives and emergent narrative, deep fakes and blockchain sovereignties, embodied k nowledge systems and performative interfaces and scientific visualization f or museums in the age of experience. She will also give an overview of EPFL Pavilions exhibitions and focus the discussion on Deep Fakes: Art and Its Double.\n Biography: Professor Sarah Kenderdine researches at the forefront of interactive and immersive experiences for galleries, libraries, archive s and museums. In widely exhibited installation works, she has amalgamated tangible and intangible cultural heritage with new media art practice, espe cially in the realms of interactive cinema, augmented reality and embodied narrative. Sarah has produced over 100 exhibitions and installations for mu seums worldwide. In 2017, Sarah was appointed professor at the École Polyte chnique fédérale de Lausanne (EPFL), Switzerland where she built the Labora tory for Experimental Museology (eM+). Sarah is also director and lead cura tor of EPFL Pavilions, a new art/science initiative on campus located in a seminal Kengo Kumar building. In 2020 and 2022, she was named in the Museum Influencer List 2020 – The Power 10 by Blooloop and in 2020 and 2021, Swit zerland’s Top 100 Digital Shapers by Bilanz. In 2021, Sarah was appointed c orresponding fellow of The British Academy. Her upcoming book is Deep Fakes : A Critical Lexicon of Digital Museology (2024).\n X-ALT-DESC;FMTTYPE=text/html:

Abstract:

Computatio nal museology is a scaffold that unites machine intelligence with data cura tion, ontology with visualization, and communities of publics and practitio ners with embodied participation through kinaesthetic interfaces. Computati onal museology empowers cultural organisations to link all forms of culture and materiality: objects, knowledge systems, representation and participat ion. Research at the Laboratory for Experimental Museology (eM+) reaches be yond object-oriented curation to blend experimental curatorship with contem porary aesthetics, digital humanism and emerging technologies. This lecture explores key themes including interactive archives and emergent narrative, deep fakes and blockchain sovereignties, embodied knowledge systems and pe rformative interfaces and scientific visualization for museums in the age o f experience. She will also give an overview of EPFL Pavilions exhibitions and focus the discussion on Deep Fakes: Art and Its Double.

Biograph y:

Professor Sarah Kenderdine researches at the forefront of interac tive and immersive experiences for galleries, libraries, archives and museu ms. In widely exhibited installation works, she has amalgamated tangible an d intangible cultural heritage with new media art practice, especially in t he realms of interactive cinema, augmented reality and embodied narrative. Sarah has produced over 100 exhibitions and installations for museums world wide. In 2017, Sarah was appointed professor at the École Polytechnique féd érale de Lausanne (EPFL), Switzerland where she built the Laboratory for Ex perimental Museology (eM+). Sarah is also director and lead curator of EPFL Pavilions, a new art/science initiative on campus located in a seminal Ken go Kumar building. In 2020 and 2022, she was named in the Museum Influencer List 2020 – The Power 10 by Blooloop and in 2020 and 2021, Switzerland’s T op 100 Digital Shapers by Bilanz. In 2021, Sarah was appointed correspondin g fellow of The British Academy. Her upcoming book is Deep Fakes: A Critica l Lexicon of Digital Museology (2024).

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