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UID:24e0173c868a951bee701ce0adc754cc
CATEGORIES:Lecture / Reading / Talk
CREATED:20240123T162052
SUMMARY:International Relations Committee and Department of Social Sciences
LOCATION:APJ001
DESCRIPTION:\nAbstract:Computational museology is a scaffold that unites machine intell
 igence with data curation, ontology with visualization, and communities of 
 publics and practitioners with embodied participation through kinaesthetic 
 interfaces. Computational museology empowers cultural organisations to link
  all forms of culture and materiality: objects, knowledge systems, represen
 tation and participation. Research at the Laboratory for Experimental Museo
 logy (eM+) reaches beyond object-oriented curation to blend experimental cu
 ratorship with contemporary aesthetics, digital humanism and emerging techn
 ologies. This lecture explores key themes including interactive archives an
 d emergent narrative, deep fakes and blockchain sovereignties, embodied kno
 wledge systems and performative interfaces and scientific visualization for
  museums in the age of experience. She will also give an overview of EPFL P
 avilions exhibitions and focus the discussion on Deep Fakes: Art and Its Do
 uble.\nBiography:Professor Sarah Kenderdine researches at the forefront of 
 interactive and immersive experiences for galleries, libraries, archives an
 d museums. In widely exhibited installation works, she has amalgamated tang
 ible and intangible cultural heritage with new media art practice, especial
 ly in the realms of interactive cinema, augmented reality and embodied narr
 ative. Sarah has produced over 100 exhibitions and installations for museum
 s worldwide. In 2017, Sarah was appointed professor at the École Polytechni
 que fédérale de Lausanne (EPFL), Switzerland where she built the Laboratory
  for Experimental Museology (eM+). Sarah is also director and lead curator 
 of EPFL Pavilions, a new art/science initiative on campus located in a semi
 nal Kengo Kumar building. In 2020 and 2022, she was named in the Museum Inf
 luencer List 2020 – The Power 10 by Blooloop and in 2020 and 2021, Switzerl
 and’s Top 100 Digital Shapers by Bilanz. In 2021, Sarah was appointed corre
 sponding fellow of The British Academy. Her upcoming book is Deep Fakes: A 
 Critical Lexicon of Digital Museology (2024).\n
X-ALT-DESC;FMTTYPE=text/html:<p><img style="float: left; padding: 0 10px 10px  10px; display: flex;" src
 ="images/events/sarah-kenderdine.jpg" /></p><h4>Abstract:</h4><p>Computatio
 nal museology is a scaffold that unites machine intelligence with data cura
 tion, ontology with visualization, and communities of publics and practitio
 ners with embodied participation through kinaesthetic interfaces. Computati
 onal museology empowers cultural organisations to link all forms of culture
  and materiality: objects, knowledge systems, representation and participat
 ion. Research at the Laboratory for Experimental Museology (eM+) reaches be
 yond object-oriented curation to blend experimental curatorship with contem
 porary aesthetics, digital humanism and emerging technologies. This lecture
  explores key themes including interactive archives and emergent narrative,
  deep fakes and blockchain sovereignties, embodied knowledge systems and pe
 rformative interfaces and scientific visualization for museums in the age o
 f experience. She will also give an overview of EPFL Pavilions exhibitions 
 and focus the discussion on Deep Fakes: Art and Its Double.</p><h4>Biograph
 y:</h4><p>Professor Sarah Kenderdine researches at the forefront of interac
 tive and immersive experiences for galleries, libraries, archives and museu
 ms. In widely exhibited installation works, she has amalgamated tangible an
 d intangible cultural heritage with new media art practice, especially in t
 he realms of interactive cinema, augmented reality and embodied narrative. 
 Sarah has produced over 100 exhibitions and installations for museums world
 wide. In 2017, Sarah was appointed professor at the École Polytechnique féd
 érale de Lausanne (EPFL), Switzerland where she built the Laboratory for Ex
 perimental Museology (eM+). Sarah is also director and lead curator of EPFL
  Pavilions, a new art/science initiative on campus located in a seminal Ken
 go Kumar building. In 2020 and 2022, she was named in the Museum Influencer
  List 2020 – The Power 10 by Blooloop and in 2020 and 2021, Switzerland’s T
 op 100 Digital Shapers by Bilanz. In 2021, Sarah was appointed correspondin
 g fellow of The British Academy. Her upcoming book is Deep Fakes: A Critica
 l Lexicon of Digital Museology (2024).</p>
DTSTAMP:20260801T195123
DTSTART;TZID=Asia/Kolkata:20240125T141500
DTEND;TZID=Asia/Kolkata:20240125T161000
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